From Counterculture to Cyberculture
curated by David Lewis

Lucy Dodd, Alex Mackin Dolan, Dawn Kasper, Israel Lund,
Jared Madere, K.r.m. Mooney, Trevor Paglen, Sean Paul and Bruce Conner

July 7 – August 26, 2017

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From Counterculture to Cyberculture, 2017
Installation view
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From Counterculture to Cyberculture, 2017
Installation view
SP036 Doomsday Watch 1974 hr 01_adjusted (SP)
Sean Paul
Doomsday Watch, 1974; 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide
88.9 x 47 cm
35 x 18 1/2 in
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From Counterculture to Cyberculture, 2017
Installation view
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Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
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Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
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Jared Madere
detail of To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
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Jared Madere
detail of To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
JM_Matter_HArmonic_Topiary
Jared Madere
To be titled (Matter Harmonic Topiary), 2016/2017
Glyph: nail polish, glitter, ink, burns on paper
Sculpture: sand, flowers, water, broken glass, urethane pigment, glitter, wood, and dirt
Glyph: 33 x 22.9 cm, 13 x 9 in
Sculpture: 120 x 120 x 12inches (dimensions variable with each manifestation)
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Bruce Conner
Christ Casting Out the Legion of Devils, 1987/2003
Belgian jacquard tapestry
264.2 x 292.1 cm
104 x 115 in
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From Counterculture to Cyberculture, 2017
Installation view
LD914 Lady Long Gone
Lucy Dodd
Lady Long Gone
Dye on cotton on metal chair frame
86.4 x 91.4 x 91.4 cm
34 x 36 x 36 in
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From Counterculture to Cyberculture, 2017
Installation view
LD004 Beyond Blind (1981 ½)
Lucy Dodd
Beyond Blind (1981 1⁄2), 2013
Foss leaf extract, sumac extract, black lichen, yerba maté, graphite, Bub's urine,
anatto, and mixed pigments on canvas
297.2 x 297.2 cm
117 x 117 in
DK086 UH yes, UH no 01
Dawn Kasper
UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense
91.4 x 40.6 x 40.6 cm
36 x 16 x 16 in
DK086 UH yes, UH no det01
Dawn Kasper
detail of UH yes, UH no, 2014/2017
Mackie active speaker, ipod shuffle, snare drum, stand, bells, incense
91.4 x 40.6 x 40.6 cm
36 x 16 x 16 in
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From Counterculture to Cyberculture, 2017
Installation view
IL011 Untitled 01 hr
Israel Lund
Untitled, 2017
Acrylic on raw canvas
223.5 x 172.7 cm
88 x 68 in
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From Counterculture to Cyberculture, 2017
Installation view
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From Counterculture to Cyberculture, 2017
Installation view
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From Counterculture to Cyberculture, 2017
Installation view
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K.r.m. Mooney
Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire
284.5 x 30.5 x 30.5 cm
112 x 12 x 12 in
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K.r.m. Mooney
detail of Joan Green, Bimetal IV, 2017
steel conduit, linear fluorescent, polyurethane fitting, electrical splicing ribbon, fluval tank heater,
cast lavender, silver, steel binding wire
284.5 x 30.5 x 30.5 cm
112 x 12 x 12 in
AMD032 Korut Courtyard Cabinet (Bad R.N.G. TWIN Version) 01 hr
Alex Mackin Dolan
Untitled, 2017
Wood, synthetic polymer paint, plexiglass, archival inkjet prints
10.2 x 78.1 x 22.9 cm
4 x 30 3/4 x 9 in
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From Counterculture to Cyberculture, 2017
Installation view
SP044 Dawn 0.053 SEC. hr 01_adjusted (SP)
Sean Paul
Dawn, 0.053 SEC., 2017
Ultraviolet-curable pigmented ink and acrylic on polyester/polymide
152.4 x 289.6 cm
60 x 114 in
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From Counterculture to Cyberculture, 2017
Installation view
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Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints
60.96 x 81.28 cm
24 x 32 in
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Trevor Paglen
The Last Pictures (Construction of Hoover Dam; The Wow! Signal), 2012
Two gelatin silver prints
60.96 x 81.28 cm
24 x 32 in
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Dawn Kasper
UH, YES UH, NO, 2014
Oil on canvas
322.6 x 261.6 cm
127 x 103 in
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From Counterculture to Cyberculture, 2017
Installation view
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Bruce Conner
Untitled, 1975
Oil on canvas
50.8 x 50.8 cm
20 x 20 in
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Bruce Conner
Untitled, 1975
Oil on canvas
50.8 x 50.8 cm
20 x 20 in